About the Designer
To kickstart a brand new year, we invite Ms Ivory Seah to share with us some of her past experiences and insights on stamp designing. As you will soon find out, her love for nature and all things cultural are keenly reflected in the stamp projects she has embarked upon.
How did you get started in stamp designing, and how long have you been in the field?
I’ve always loved graphic design, but my journey into stamp design began about 12 years ago when I collaborated with a postal authority on a small project. I was immediately drawn to the unique challenge of creating something so small, yet so impactful. Since then, I’ve focused exclusively on stamp and MyStamp designs for the past 12 years.
Can you describe the types of stamps you typically design, such as commemorative, definitive, or special editions?
I have worked on various stamp types, including joint stamp issues, ASEAN stamps, and MyStamp designs. Each project has allowed me to explore unique themes and creative approaches, making the design process both challenging and rewarding.
What tools or software do you use in your stamp design work?
I primarily use Adobe Illustrator and Photoshop for most of my work. Illustrator is great for creating vector-based designs, ensuring the details remain sharp even at small sizes. Photoshop comes in handy for texture and color manipulation. I also use freehand drawing, especially on intricate designs or illustrations.
Are there any specific themes or subjects you particularly enjoy designing for stamps?
I love working on designs that involve nature, history, and culture. Wildlife stamps are always a highlight, as they allow me to bring the beauty of nature into focus. I’m also drawn to designing stamps that celebrate heritage or significant cultural events — something rewarding about translating history into such a small format.
Could you share a brief overview of your most recent or favorite stamp design project?
One of my favorite recent projects was designing stamps for the transformation of a historic KTM railway into the Rail Corridor Heritage Botanical Walk. The stamps featured detailed illustrations of rare plant species and iconic landmarks along the corridor. This project was especially fulfilling because it allowed me to combine my passion for nature and history with my design skills. It was rewarding to contribute to a project that educates and inspires both collectors and the public.
Do you have any specific sources of inspiration or artists who have influenced your stamp design style?
I draw inspiration from a mix of traditional and contemporary sources. Artists like Wu Guanzhong and Chen Wen Hsi influence my approach to nature and wildlife, while graphic designers like Jessica Walsh and Jean Carlu inspire me with their bold, clean designs. I also look to nature, architecture, and fine art for ideas that translate well into the small, detailed space of a stamp.
What aspects of stamp design do you find most fulfilling or rewarding in your work?
For me, the most rewarding aspect is the ability to tell a story within a very limited space. A stamp is so tiny, yet it can convey so much meaning, whether it's celebrating an event, commemorating a culture, or showcasing a piece of art or nature. Knowing that a design will be seen by people across the world is fulfilling.
Have you encountered any interesting or unusual requests or challenges in your stamp design career?
One unusual request was designing a stamp for a joint issue with another country, where I had to match the design style exactly. It was challenging to create something historically accurate when the subject matter was hard to research.
In your opinion, what are the key elements that make a stamp design visually appealing and effective?
The most important factors are simplicity, clarity, and legibility. A stamp has limited space, so the design must be clear and recognizable, even at a tiny size. Colours need to be well-chosen and should stand out without overwhelming the design. It’s also crucial that the design is timeless and can be appreciated both when it’s first released and in years to come, as stamps often become collectors' items. Lastly, the theme should resonate with the target audience, whether it’s for a local community, a nation, or an international audience.
